Fuller Speak

Contents

Contents

1

2Fuller Speak Rebecca Dalvesco

3PIC

4 Published under the aegis of

5 Center for Communication and Information Sciences

6 (Victoria University; University of Toronto at Mississauga;

7 University of Helsinki; Universidad Sao Paulo, Brazil; Indiana University;

8 University of Lugano; University of Ottawa)

9 Series: Language, Media & Education Studies

10Edited by: Marcel Danesi & Leonard G. Sbrocchi

1.
M. Danesi, Interpreting Advertisements. A Semiotic Guide
2.
M. Angenot, Critique of Semiotic Reason
3.
S. Feigenbaum, The Intermediate Sign in the System of French and Hebrew Verbs
4.
A. Bailin, Metaphor and the Logic of Language Use
5.
C.D.E. Tolton, ed., The Cinema of Jean Cocteau
6.
C. Madott Kosnik, Primary Education: Goals, Processes and Practices
7.
F. Nuessel, The Esperanto Language
8.
M.G. Guido, The Acting Reader
9.
F. Ratto, Hobbes tra scienza della politico e teoria delle passioni
10.
S. Battestini, African Writing and Text
11.
T. A. Sebeok, Essays in Semiotics I: Life Signs
12.
T. A. Sebeok, Essays in Semiotics II: Culture Signs
13.
A. Ponzio and S. Petrilli, Philosophy of Language, Art and Answerability in Mikhail Baktin
14.
R. Beasley, M. Danesi, P. Perron, Signs for Sale. An Outline of Semiotic Analysis for Advertisers & Marketers
15.
F. Merrell, Signs for everybody, or, Chaos, quandaries and communication
16.
P. Perron, L.G. Sbrocchi, P. Colilli, M. Danesi (eds.) Semiotics as a Bridge between the Humanities and the Sciences
17.
A. Makolkin, Anatomy of Heroism
18.
P. Perron, M. Danesi, J. Umiker-Sebeok, A. Watanabe (eds) Semiotics and Information Sciences
19.
T. A. Sebeok, The Swiss Pioneer in Nonverbal Communication Studies Heine Hediger (1908-1992)
20.
M. Danesi (ed.), The Invention of Global Semiotics
21.
T. A. Sebeok, Semiotic Prologues
22.
R. Dalvesco, Fuller Speak

11 Cover: Compugraphics by Pierre Bertrand

12 Rebecca Dalvesco

13 Fuller Speak

14 New York

15 L

16 CI

17 PE

18 IE

19 GE

20 Ottawa

21 Toronto

22PIC

23 © 2002 LEGAS No part of this book may be reproduced in any form, by print, photoprint, microfilm, microfiche, or any other means, without written permission from the publisher.

24 National Library of Canada Cataloguing in Publication Data

25 Main entry under title:

26 Rebecca Dalvesco

27

28Fuller Speak

29 (Language, media & Education Studies ; 22)

30 ISBN 1-894508-26-2

31 1. Fuller, R. Buckminster (Richard Buckminster), 1895--1983.

32 2. Peirce, Chales S. (Charles Sanders), 1839--1914. 3. Design, Industrial- Philosophy. 4. Communication in design. 5. Semiotics.

33 I. Title. II. Series.

34 TA140.F9D34 2002 745.2’01 C2002-900694-5

35 For further information and for orders:

36 LEGAS

37 P. O. Box 040328

38 Brooklyn, New York USA 11204

39 3 Wood Aster Bay Ottawa, Ontario K2R1B3

40 2908 Dufferin Street Toronto, Ontario M6B 3S8

41 Printed and bound in Canada

42

43To the memory of my father

44Rudy Dalvesco

45 Contents

46 Chapter I: Introduction 9

47 Peirce’s Phenomenology 10

48 Peirce’s Epistemology and the Concept of Worldview 12

49 Worldview and Culture 12

50 Culture, Design and Semiotic 12

51 Culture, Language and Semiotic 15

52 Peirce’s Semiotic Applied to an Investigation of the Meaning of Fuller’s Design and Language 16

53 Peirce’s Semiotic as a Method for the

54 Interpretation of the Industrial Object 20

55 A Resemantization of the Dymaxion Vehicles 22

56 Chapter II: Fuller’s Biography 25

57 Chapter III: Semiotic a Science of Signs 37

58 Semiotic and Design Criticism 39

59 Codes and Interpretation 40

60 Code Invention 41

61 The Grammar of Architecture 43

62 Product Semantics 45

63 Chapter IV: Peirce’s Semiotic 47

64 Peirce’s Concept of Sign 48

65 Peirce’s Semiosis: Sign, Object, and Interpretant 50

66 Peirce’s Index, Symbol and Icon 52

67 Peirce’s Icon 53

68 Peirce and Diagrams as Icons 56

69 Peirce—Metaphors and Analogies as Icons 61

70 Peirce’s Symbol 62

71 Symbolic Form 64

72 Peirce’s Index 66

73 Methodology. 69

74 Chapter V: Peirce’s Sign and the Dymaxion Vehicle 71

75

76Fuller and Peirce’s Sign, Object and Interpretant 71

77Fuller’s Dymaxion Vehicles and Peirce’s Icons 73

78Fuller—Diagrams as Icons 85

79Fuller—Metaphors and Analogies as Icons 97

80The Dymaxion Vehicle,

81Fuller’s Language and Peirce’s Symbol…105

82Fuller and Peirce’s Index Ill

83The Dymaxion Vehicle and Patent Writing as Codes 115

84Fuller and Code Invention: Language 125

85Conclusion 129

86Peirce’s Semiotic Theory as a

87Potential Tool for Industrial Designers 133

88Bibliography 139